New York Reviews

Aging apparently tamed the acidity and turned it low-key but vibrant. Rich, cherry and red-wine notes hint at chocolate with patient drinking. A shadow bitterness can be taken as either marring or balancing the opulence of the fruit.

Not your purist's Blue Mountain, but a fine, complex cup: rich, wine-like fruit, jasmine notes, and a hint of pleasantly rough mustiness that reads as a spicy chocolate

Hugely rich, big-bodied, low-toned. Roundly full apricot and peach notes in both aroma and cup. A slight hint of mustiness shadows aroma and finish, but the cup is grandly clean.

Smoky and richly heavy in its aromatics, but rather musty and monotoned in the cup. The musty tones, as they often do in Sumatras, hint at positive associations like spice and a sort of rough chocolate, but ultimately are too hard and unresilient to sustain too positive a reading.

The bright Latin-American profile is complicated in the aroma by dry, pungently roasty nut tones. The cup displays unusual vegetal tones that reach toward floral, but fall a bit short.

An impressive tribute to the tactile dimension of taste: the body is smooth, buttery, alive yet full. The profile is sweet and deeply dimensioned with a pleasantly spicy tickle at its heart, but remains rather limited in range. The aftertaste reveals the merest hint of hardness.

Judged on aroma alone, this coffee easily would top the ratings. Intense, deeply dimensioned nut tones soar with an exhilarating sweetness. In the cup, however, things quiet down quickly. A heavy, low-toned acidity dominates a profile complicated by interesting spicy and smoky notes, but without much lift or dimension.

The superb oxymoron of this coffee, powerfully sweet yet sharply pungent, is at its best in aroma and in finish, when the pungent tones soften to a distinct and pleasing spice. Rich, clean aftertaste; medium to light body.

Like so many coffees in the cupping, solid overall but short on sweetness and nuance. In this case, splendidly rich, broad-ranged aroma, decent acidity with a hint of fruit, but generally pungent and rather opaque, with only a touch of sweetness in the finish. A trace of the vanilla-toned richness that dominated in aroma re-emerges in the aftertaste.

Impressive because, unlike many of the coffees in the cupping, it displays some acidy brightness. May not generate enough sweetness to round the acidity, however, leaving the cup just a touch on the sour side. Not much nuance but solid body.

Once again, a rather flat astringency, a sort of strident monotone, dominates the center of the profile, abetted in this case by a touch of carbony sharpness. Some fruit and sweetness, though the grace notes tend toward the tobacco and herb.

A rather rough ride. The first impression is complex, but not entirely pleasantly so: a hard, ropey sensation sits on the profile. Behind and around the hard center a bracing, fruity richness opens, but we never get completely out from under the hardness, which, among other things, seems to depress the sweetness in the fruit.

Some wine tones survive the dark roast to complicate the acidity. Brought along to a dark roast slowly enough to spare us burned notes, but for a Kenya not a lot of body or dimension either. The pleasure would seem to be the paradox of understated acidity and dark-roast pungency.

Impressive complexity for such a dark-roasted coffee. Prune and vanilla tones grace the aroma, while a fruit-nuanced acidity dominates in the cup. As the coffee cools suggestions of ferment surface in the fruity acidity.

This classic medium-dark coffee gives us solid, mouth-filling dark-roast pungency, though the carbon notes seem to co-opt its sweetness. Some acidity survives the roast, and fills out the top of the profile nicely.