LATEST REVIEWS

An understated sweet liveliness lifts the rather stolid heart of this coffee. I can't cite any grace notes, simply a very pleasant, sweet lift. Good dimension, but (for a Sumatra) a rather shallow bottom.

Low-toned, full-bodied, absolutely solid at the center (maybe too), with slight hints of fruit and sweetness at the edges. In other words, a typical Sumatra. Would be a classic Sumatra if there were something more going on inside that center or a little more shimmer or lift around those edges. As it is, substantial, satisfying, but a touch inert.

The dark roast style leans toward carbon here but remains on the flavorful side of it, turning the Sumatra richness pungent and darkening the sweet tones with hints of what a publicist might call chocolate. If this coffee had showed some development I would have rated it higher, but the profile made its statement and stood pat from there. As with the other Café d'Alma coffees in the cupping, I suspect a loss of aromatics in shipping.

Another typically full-bodied, solid-centered Sumatra. Not much range or complexity, but good development: If you stay with the coffee the heaviness at the center seems to grow in weight and power, revealing reticent pruny, sweet-pungent tones in the finish. As it cools, the herby, earthy tones characteristic of some Sumatras emerge, carrying (perhaps) a hint of hardness. Without that hint I would have rated this Sumatra higher.

Another Sumatra carried to a dark roast with enough tact to avoid carbon. But, alas, not enought to save the sweetness and nuance. What's left is a balanced dry heaviness that can be read as richness.

Herbal, pungent tones, a bit too sharp for earthy, dominate the profile, reverberating in its characteristically solid Sumatra heart. Only a touch of sweet nuance, but the herbal tones are intriguing. They turn slightly hard as the coffee cools.

A darkish roast style asserts itself here, turning the heavy Sumatra center distinctly pungent. A slight sweetness emerges in the finish, but the mildly astringent pungency dominates in the aftertaste. A vibrant aliveness in the center of this coffee is its most attractive feature.

An interesting but atypical Sumatra profile: Distinctly, almost distractingly sweet vanilla tones float over the Sumatra depth, which you only sense through a kind of echo. Perfumy, at turns suggesting flowers and then nuts, the vanilla notes may be too intense for elegance, lingering straight into the aftertaste, where they turn slightly cloying.

Another heavy-centered Sumatra, this one with hints of sweetness and vanilla all but buried under an herby, earthy character. The earthiness is rough but rather pleasant, with only the barest hint of hardness.

Still another solid, deep Sumatra, but lacking range or dimension. Clean, one-dimensional, with little resonance in the heart of the coffee or shimmer around the edges. The aromatics seemed a bit tired; perhaps the problem here is a loss of aromatics in shipping.

We couldn't make up our collective mind about this wet-processed coffee. I found it light and pleasantly bright -- appropriate to a good wet-processed coffee from lower altitudes. Several agreed, finding the acidity fruity and sweet. Others, however, reacted critically to the delicate profile: "Washed ... blah!" exclaimed one. Assessments of body were surprisingly varied, ranging from thin to buttery and full. Finally, two reviewers found flat-out fault with the profile: "dirty," complained one; "baggy" (flat, ropey taste), accused the other.

Although this quietly elegant Brazil didn't attract the sort of raves the highest-rated Guatemala elicited in our July 1997 cupping, it did stimulate admiring comment and the highest rating in the cupping. "Excellent overall. Stands by itself as an estate coffee." "This coffee is the best of the lot." Admiration centered on a smoothly substantial body and a deeply nuanced flavor. Three reviewers identified the grace notes as chocolate, a term that came up only occasionally with other coffees. One even qualified chocolate by category: "bittersweet chocolate, not sweet!" .

"Yes! This is a coffee for non-believers. This sample will convert the pagans," wrote one reviewer, apparently a supporter of Brazil coffees. Well, most of the pagans stayed unconverted, still groveling about before their acidy Central-American idols. The usual vanilla and nut tones were noted approvingly in the aroma, the soft sweetness of the acidity observed, but little enthusiasm emerged in the categories of body, flavor or aftertaste. "Not much depth," complained one. "Very uniform throughout the range in all taste aspects," remarked another carefully, "not lacking anything in particular, yet not exceeding in any category either." Three reviewers noted mild faults, two with a forest products theme: "papery; wet cardboard," said one; "woody" complained the other.

Although this dry-processed coffee scored roughly the same as the three preceding samples, reviewers' comments seemed to indicate a coffee with more character and development. No faults or weaknesses were noted, and a tone of quiet respect ran through the few comments on flavor and aftertaste: "smooth - mellow"; "very pleasing." A split vote on body: about half the reviewers who commented found it heavy, and about half thin or light.

"Clean, monolithic," one cupper wrote. "OK but same old same," wrote another. One of four coffees in the cupping for which no faults whatsoever were cited; on the other hand, this carefully prepared coffee elicited only mild praise. The acidity was predictably characterized as "soft" (five of ten reviewers). Words like sweet and caramelly popped up occasionally. Only one reviewer actually effused: "chocolaty and sweet; nutty flavor."

Perhaps this coffee was betrayed by our sample roasting. Four of ten reviewers mentioned burned or smoky tastes that may have been owing to a rushed or overdeveloped roast. Two identified a fault that may be associated with the coffee and not the roast -- a slightly medicinal or harsh character. No grace notes were cited, although the term "soft" came up frequently as usual. I was definitely in the minority with this coffee: I felt it required patience, but developed nicely: "At first heavy but nondescript, but then a gentle, light, levitating sweetness dances off the top," I wrote.

It wasn't entirely clear whether it was a thin, attenuated quality that put this semi-dry-processed coffee near the bottom of the cupping (three reviewers explicitly used the word "thin"), or an off-taste too subtle to be called a defect but unpleasant nonetheless. I called it a "baggy hardness"; three other panelists also used the word "hard" to describe it; others used close synonyms like harsh and bitter. On the positive side, several praised this coffee's sweetness.

Everything happens in the higher registers here, and a lot does. A wonderful, dry/sweet complex, almost effervescent, lifts the heart of this light, bright coffee. An amazing range of grace notes shimmer in the higher registers: dry chocolate, herb, even a suggestion of vanilla in the finish. I had to strain to find a hint of Red Sea gaminess amid all the aromatic action; it may have shown up in the long, subtly complex aftertaste. Hard to believe so much complexity made it through the decaffeination process. Perhaps a good Yemen coffee is so intense that the muting effect of decaffeination actually helps by mellowing it a bit.

One of the most successful Mocha-Javas in the cupping, this one opens with a shiver of rank Red Sea wildness, which almost immediately gives way to a swelling, lyrical fruitiness that persists sweetly and richly through the high-toned finish. A hint of the rankness resurfaces in the aftertaste. The pleasure here is almost entirely in the complex top of the profile; the bottom is a bit weak and underpowered.

A rather rough ride. The first impression is complex, but not entirely pleasantly so: a hard, ropey sensation sits on the profile. Behind and around the hard center a bracing, fruity richness opens, but we never get completely out from under the hardness, which, among other things, seems to depress the sweetness in the fruit.