Estates Reviews
We found 2057 reviews for Estates. The reviews below appear in reverse chronological order by review date. Older reviews may no longer accurately reflect current versions of the same coffee.
A powerfully understated, slow-developing cup with an acidity enveloped in sweetness, low-toned wine and cherry notes, a silky body, and a long, clear finish. The cup rounded and strengthened impressively as it cooled.
Pleasingly heavy, round, low-key, with a nicely balanced bittersweetness when hot. As the cup cooled sweetness enveloped the bitter tones and turned them pleasingly chocolate in the finish.
This deeply dimensioned coffee rewarded patience. My initial score was the same as the jury 's, but as the cup cooled I found myself adding points as a slight bitterness dropped away and a seductive fruit- and floral-toned sweetness prevailed.
A classic, high-toned, vanilla-laced aroma; in the cup subtle, rich, resonant, with pronounced chocolate tones that carry straight through from cup to finish.
A light, bright, fragrantly smooth cup. When hot alive with shimmers of citrus, spice, and nut tones. As the cup cools, however, a disturbing vegetative undertone surfaces: "grassy," "dried peas," "sour," panelists complained. A potentially superb coffee, an India version of the great, brightly nuanced coffees like Guatemala Antigua and Ethiopia Yirgacheffe, but flawed by either processing/storage errors or too much unripe fruit.
Clear, dry fruit that reads pleasingly as cocoa graces this agreeable but understated coffee. Some panelists praised its gentle complexity; others found the cup too gentle.
Panelists found this coffee interesting but ambiguous. They were attracted by its combination of nuanced, caramelly softness and bright, aggressive acidity; put off by a smoky, slightly bitter pungency that hinted at a drying fault.
A luxuriously sweet, full, suavely rounded cup enlivened by nut and spice tones and a tickle of flowers. "Rich, saturated butter," exclaimed one panelist. Slightly sharp when hot, but as the cup cools the bitter edge swoons into the enveloping sweetness.
Winner in the 2000 Specialty Coffee Association of Panama Cupping Event. Gently lively acidity rides a full, buttery body toward a splendid, complex, wine-toned finish.
Soft, sweetly brisk, balanced, but edging on bland. "No flaws, but not many grace notes. Good, inoffensive cup," wrote one panelist. "Nice combo of sweet & floral ... just missing intensity," offered another.
The panel put this light-bodied coffee somewhere between bland and defective. Four panelists reported at least one cup of the several they sampled displayed defective aromatics, their descriptions ranging from soapy to beefy to sour. Apparently I was lucky: all of my cups were light-footed but sweetly acidy and agreeable.
Soft, low-key coffee with a twisty undercurrent of dark vegetative notes: wood or grass at worst; at best spice, tobacco or smoke. I found that, as the cup cooled, these notes sweetened pleasantly toward cocoa and cedar.
A paradoxical coffee: A slight bitter edge (drying fault?) led two panelists to dismiss this coffee; the majority praised its sweetness and depth and either overlooked the shadow bitterness or read it as an agreeable pungency.
The essence of brisk: a light, bright, acidy cup. Dry tones dominate the sweet undercurrents. A shimmer of flowers, a wisp of smoke, a hint of tart, winey fruit. Pleasant but thinly dimensioned.
A classic Central-America coffee dominated by a richly powerful acidity, a fat body, and a round, sweet, chocolaty finish.
Irrepressibly buoyant, superbly balanced. The acidity shimmers in the heart of a meadow of floral-toned sweetness. The aftertaste is clean, long, lavender. Exquisite, elegant, precious.
Most members of the panel loved this coffee. Favorite adjectives: Aroma: caramelly and floral. Acidity: sweet and bright. Body: creamy and full. Flavor: floral, fruity, complex, balanced. Aftertaste: clean and resonant. Two panelists dissented, one of whom acknowledged the floral notes but dismissed them as "past-their-prime lilacs."
I suspect only a slight astringency in the aftertaste prevented this Papua New Guinea from pushing up near the top of the ratings. Panelists liked its smoky aroma ("brownies baking" said one), its soft sweetness, and its understated character. Its rather metallic, salty astringency was barely detectable, but, once observed, distracting.
"A sweet, inoffensive little cup of coffee. No bells and whistles here," wrote one panelist. At first I was inclined to agree, but this soft, subtle coffee eventually won me over with its relaxed richness and striking lavender-like floral tones. Other panelists agreed. Perhaps no bells and whistles, but some pleasant warbling.
A classically bright yet sweet cup shimmering with seductive floral and wine-like fruit notes. This coffee attracted lavish praise from the panel: "fruity, floral, working well together"; "noble fruit notes!"; "[light] body but very clean like a great Pinot"; "rich, sweet, very aromatic." Given such enthusiasm, why didn 't this fine coffee attract a higher aggregate rating? Perhaps owing to its relatively light body, perhaps owing to the barest hint of astringent imbalance in the acidity.