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We have published thousands of coffee reviews and espresso reviews since 1997. The reviews below appear in reverse chronological order by review date. Older reviews may no longer accurately reflect current versions of the same coffee. To search for a specific roaster, origin or coffee use the Advanced Search Function.
A deep, resonant pungency envelops the Kenya dry wine and tart berry tones, giving them a sexy fresh-sweat twist. This odd, rough-yet-smooth pungency is a Peet's trade mark, and only occasionally found in coffees dark-roasted by competitors. Here it supports without obliterating the citrus and berry freshness of the Kenya.
As usual with most extreme dark-roasted blends sold under the name French roast, no real flavor survives, only competing sensations of bitter and sweet -- in this case inclined more toward the bitter. I preferred this particular "French roast" profile over several others owing to the invigorating intensity of the bittersweetness
A fresh citrusy sharpness complicates the dark-roast bittersweetness. The bitter tones intensify in finish, but never completely master the sweetness, which persists pleasantly through aftertaste.
A pleasantly charred sweetness, buoyant and almost floral, dominates at first. As the cup cools the sweetness recedes and the bitter side of the dark-roast cup prevails.
The bittersweet paradox is less intense here than in the Jeremiah's Pick French Roast, with a bit more emphasis on the sweet side of the equation and a hint of dry, pruny fruit. The smoothest body of the eight French roasts I cupped, suggesting that the roast drove fewer fats out of the bean.
Close to the great Blue Mountains of the past: balanced, round, very rich, almost bouillon-like, with a slight, spicy effervescence tickling at the heart of the cup. Regrettably, a faint, almost undetectable hardness or storage-related fading shadows the otherwise superb cup.
Sweet, almost juicy, lemon-and-nut-tones carry exhilaratingly from aroma into the cup. Once there, they turn a bit stolid, then darkens toward tobacco in the finish.
When hot, the cup is light-bodied but smooth, with a touch of levitating floral-toned fruit that turns sweetly chocolate in the finish. As the cup cools the fruit deepens toward wine and even more distinctly chocolate tones.
A dry, powerful, authoritative cup, rich but not sweet. The ringing energy of the acidity and the substantial body are close to monumental, though lovers of delicacy and nuance may be disappointed.
A blend that in its completeness is a tribute to the blender's art. Solid without drama, displaying excellent range and a fine balance between sweetness and (I would guess) Indonesia pungency. Mouth-filling, close to creamy body, cleanly resounding aftertaste.
Lovely Yirgacheffe character: Floral, intense, transporting, as astonishing at first sip as the sudden scent of jasmine at dusk. What makes this particular Yirgacheffe an especially fine example of the origin is a touch of richness and power supporting the always remarkable perfumes.
A cup displaying all of the idiosyncrasy and complexity that makes Yemen such a fascinating origin. The aroma is funky, rich, pungent, all haloed by sweetness. The body is rich and buttery. The controversial, slightly composty overtones to the fruit that turn some palates off to Yemen are gently dominated here by the pungent taste of the roast, turning the fruit into a sensation as much tactile as olfactory, a sort of smoky, dry-toned richness.
A more authoritative, richer version of the Honomalino Kona Peaberry. The nose is rounder, the acidity brighter and brisker,the body fuller. The tantalizing tickle of flowers and fruit remains, complicating and elevating the dry acidy notes.
Superb aroma: rich, acidy, alive with nut and vanilla overtones. In the cup less range but still pleasingly high-toned: acidy, buoyant, and bright with hints of flowers and fruit.
A distinctively sweet, fruity Colombia. The fruit hovers on the edge of ferment, but to my palate remains safely on the lush but chocolate-cherryish side of the defect divide. The nose is perfectly clean: sweet, light, cocoa-like, the acidity nicely balanced between sweet and dry tones, the body medium to fullish.
Distinct lemony tones elevate the profile of this roundly satisfying but rather light-bodied Sumatra. The finish is lively, theaftertaste long and clean.
A coffee that rewards deliberation. The sweet nut tones that are the glory of many softer Latin-America coffees run luxuriantly through the profile from aroma to finish, taking on a distinct chocolate cast in the cup. A coffee whose richness reads more as resonance than heaviness.
Sweet, deeply dimensioned floral notes dip toward spice and nut in the aroma. The cup is lemony, but it is a complex, deep lemon, modulating toward dry chocolate in the finish. Saved from any hint of candyish sentiment by richly acidy mid-notes.
A splendid, high-toned cup, soaring but complex. Floral tones whisper at the top of the profile, wine-toned fruit fills out the middle; both float on a base of understated, toasty richness.
A suavely understated dark roast with a tickle of spice and chocolate at its heart. The pungent bite of the dark roast is muted and enveloped in sweetness, the finish rich and chocolate-toned.
